Alongside Jikū no Mizu (“Water of Time and Space”) and Science no Yūrei (“Ghost of Science”), this album—released in 1991—serves as the final installment of the early trilogy that continually pursued the reality between science and prayer.

Incorporating strings and orchestral arrangements, it showcases a grand and eclectic musical style, with powerful, expansive vocals that go far beyond the realm of techno-pop. Filled with Oriental melodies and Pan-Asian virtual atmospheres, the album features a series of majestic and dynamic tracks that flow through an imaginary world without borders.

Tracklist